Recent / Current / Upcoming
I will be a researcher-in-residence at Ubah Rumah Residency, at Nikoi Island, Indonesia, in January 2023 🇮🇩

A film I made and sound designed for, “in times like these...”, is currently showing at SGIFF 2022 (info here!) 💥

I am currently working on multimedia and sound design for 5 Cows and the Deep Blue Sea (tickets here!), an Esplanade co-production for the upcoming Kalaa Utsavam Festival 2022 🐮

I am currently a core member of Brack, an art collective that creates and writes about socially-engaged art projects 🍄

I recently played live music in Tactility Studies: Where the Lost Things Are, a performance presented at National Gallery Singapore 🧸

I recently had my first solo exhibition The Faraway Nearby at Art and Market Singapore 🕯

I recently did sound design and composition for NO FLASH: Season 1, an audio-fiction podcast, in collaboration with National Gallery Singapore 📷

Do visit HOT POT TALK: The Measure of a Meal, an online art exhibition revolving around food and its cultures, consumption, and production 🍲

Previous
Solo Exhibitions, Biennales, Festivals
2022 — The Faraway Nearby, Art Agenda S.E.A.
2021 — Singapore International Festival of Arts (SIFA)
2020 — Fujinoyama Biennale 2020, Japan
2019 — Esplanade Flipside Festival ‘19

Select Group Exhibitions and Presentations
2022 — Material Memory, Spinnerei, Leipzig, Germany
2021 — ON/OFF/SCREEN, Deck, Singapore Art Week
2020 — Associate Artist Programme Showcase, The Substation
2019 — Tomorrow’s Islands, Incheon Arts Platform, South Korea
2019 — Living with Water, Weave Artisan Society, Thailand
2018 — Concerned Citizens Programme, The Substation
2017 — Measuring the Earth, PARADISE AIR, Japan
2017 — Celeste Prize Finalist Exhibition, OXO Tower Wharf, UK


Select Sound Design and Composition
2022 — for “Between 5 Cows and the Deep Blue Sea...”, Esplanade Kalaa Utsavam Festival
2022 — for “{ 心灵山瑞 Turtle Soup }”, dir. Martin Hong
2018-2022 — for SGIFF ‘18-’22 Animated Logos
2021 — for “An Impression” by T.H.E. Dance Company
2021 — for “NO FLASH: Season 1”, National Gallery Singapore
2021 — for “in times like these...”, dir. Chen Yanyun
2021 — for “A Spark of Curiosity”, dir. Jerrold Chong

2021 — for  “The Visit”, dir. Morrie Tan
2021 — for “Hot Pot Talk: The Measure of a Meal”, NAC Digital Grant
2020 — for “Watermelon Please”, dir. Lim Jia Ying
2019 — for “Quietly We Tread”, liTHE 2019, T.H.E. Second Company
2015 — for “Foley-ing Around”, Esplanade Flipside Festival ‘15


Select Multimedia Design
2022 — for “Between 5 Cows and the Deep Blue Sea...”, Esplanade Kalaa Utsavam Festival
2022 — for “Kepaten Obor”, Esplanade Pesta Raya Festival
2021 — for “___ Can Change”, The Necessary Stage
2021 — for “(un)becoming”, T:>Works N.O.W. Festival 2021
2020 — for “Who’s There?”, New Ohio Ice Factory Festival
Jevon Chandra (b. 1991) is a transdisciplinary artist and designer. Through time and context-bound installations and interventions, his works estimate the push and pull between notions of doubt and belief, as present in acts of love, hope, and faith. He is currently an active member of Singapore-based socially-engaged art collective Brack. Across collaborative projects in the contemporary and performing arts, he works towards conceiving his practice as a long-term endeavour that values decency, honesty, and possibility.

As a lead/co-lead artist, his projects have been presented at platforms such as Singapore International Film Festival (SGIFF) (2022), Leipzig International Art Programme (Germany, 2022), Singapore International Festival of Arts (SIFA) (2021), Singapore Art Week (2021), Fujinoyama Biennale (Japan, 2020), Incheon Art Platform (South Korea, 2019), Esplanade Flipside Festival (2019), Understanding Risk Conference 2019 (Chiang Mai), The Substation (2018), and OXO Tower Wharf (London, 2017).

As a collaborator in the performing and media arts, recent credits include multimedia and sound design for Between 5 Cows and the Deep Blue Sea... (2022) for Esplanade’s Kalaa Utsavam Festival, multimedia design for Kepaten Obor – Igniting a Weathered Torch (2022) for Esplanade’s Pesta Raya Festival, _ Can Change (2021) with The Necessary Stage, and (un)becoming (2021) at T:>Works’ N.O.W. Festival. Recent sound design credits include An Impression (2021) with T.H.E. Dance Company, NO FLASH (2021), an audio-fiction podcast for National Gallery Singapore (NGS).

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Reach me here.